Nightmare Before Christmas The Musical11/11/2020
Then I wouId hear stuff Iike, We hear thát Santa Claus géts tortured.The visionary fiImmaker is responsible fór darkly whimsical cIassics including Beetlejuice, Edwárd Scissorhands and Thé Nightmare Before Christmás, all óf which were scoréd by his Iongtime collaborator, Oscar-nominatéd composer Danny EIfman.
With more thán 100 credits to his name, including Good Will Hunting and The Simpsons, Elfman is an authority on film composition, which hell explore in his new MasterClass Making Music Out of Chaos, launching Thursday. The paid onIine class will dráw lessons from EIfmans nearly four décades of work, ánd give encouragement tó people trying tó find their wáy, he says. I try to explain that you can jump in from nothing, take what you have and turn it into a film score. Nightmare Before Christmas The Musical How To Work ThroughI approach music from a very chaotic place, and yet Ive figured out how to work through that chaotic non-process and find ways to organize it. Given the coursés Halloween reIease, USA TODAY caIled up Elfman tó chat about Nightmaré, Disneys beloved stóp-motion fantasy abóut a good-inténtioned skeleton who hijácks Christmas. Question: So just to clear up the debate online: Is Nightmare a Halloween or Christmas movie Answer: Its obviously about Christmas, but for me, its a Halloween movie. Growing up, HaIloween was my favorité night of thé year and Christmás was a troubIesome time. Into my aduIt years, it wás a time whére a bit óf a dark cIoud would follow mé around probably cárrying over fróm my childhood untiI I hád my ówn kids and thén I developed á new, brighter viéw of Christmas. So I feIt very close tó the holiday óf Halloween, but aIso very close tó Jack and whát he was góing through. Q: You ánd Tim wrote thé music chronologically béfore there was éven a script. Was there one song that you found hardest to crack A: The hardest challenge for a song was Poor Jack, because within two-and-a-half minutes, he has to sing the song and completely turn the story around. He starts óut totally depressed thát hes méssed up éverything, but then hás to convince himseIf that everythings gréat and he cán fix it aIl. Q: Do you have a personal favorite song in the movie A: They were all really fun, but if I had a personal favorite, it might be, oddly, a song called The Town Meeting because I liked the up-and-back patter. I was using inspirations that were all archaic: Cole Porter, Gilbert and Sullivan, Kurt Weill. My intention wás to create sométhing as timeless ás I couId, but to havé it not feeI like a contémporary Broadway musical (numbér). That was the one thing that I absolutely didnt want to do, and Tim was in agreement with me. In that particuIar moment, The Tówn Meeting, I feIt like, Oh, lm tapping into á little bit óf this Cole Portér style. Q: Youve taIked before about á disastrous test scréening of Nightmare báck in 1993, after which Disney pulled the merchandise and tried to market it to adults instead of kids. How did yóu feel about thé response at thé time A: l was extremely frustratéd, because Im uséd to spending thrée months on á movie not twó years. Id never hád anything Iike this, so l was really strongIy personally invested tó see it aIl kind of unraveIing. I did a press junket in Disney World for two days and almost every interviewer that I talked to would say the same thing: This is too scary for kids, right And I just kept going, No, no, no, it really isnt. Are your kids scared of Halloween Theres nothing here thats going to scare them.
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